Archive of the Conceptual Art of Odesa in the 1980s
The research project turns to the beginning of 1980s, when conceptual art circle emerged in Odesa, Ukraine. Artists worked independently and in collaborations creating the first examples of performances, paradoxical objects and drawings.
At the beginning of 1980s the conceptual art circle emerged in Odesa, Ukraine. Artists worked independently and in collaborations creating the first examples of performances, paradoxical objects and drawings.
In this project we primarily focus on the circle of artists consist of Sergei Anufriev, Yuri Leiderman, Pertsi group (Ludmila Skripkina and Oleg Petrenko), Leonid Voisekhov, as well as Larisa Rezun-Zvezdochotova, who wasn’t the active part of the group but had her conceptual art practice in Odesa and Moscow.
We also pay specific attention to Volodymyr Naumets artistic practice, who worked mostly independently and created a plethora of performances, happenings and conceptual drawings, developing metaphysics and spiritual concepts which was also one of the trends in soviet underground art.
In this project we will focus on the range of circumstances that influenced conceptual art practices in Odesa, namely specific location of borderline city-port, topography and landscape, “stagnation” period in economic and cultural development of 1980s in Soviet Union, influences from Moscow art scene and how can we analyze and percept those interconnections today.
The project involves collaboration of MSN Warsaw with different art institutions, galleries and collectors from Ukraine: Museum of Modern Art in Odesa, National Museum of Fine Art in Odesa, Dymchuk Gallery, Eugen Demenok Collection, Viktor Savkiv Collection.
All research materials and objects will be displayed via MSN website (the online archives). Project planned to be published in March 2024.
Curator and contributor: Nataliia Revko
Related activities
-
–Van Abbemuseum
The Soils Project
‘The Soils Project’ is part of an eponymous, long-term research initiative involving TarraWarra Museum of Art (Wurundjeri Country, Australia), the Van Abbemuseum (Eindhoven, Netherlands) and Struggles for Sovereignty, a collective based in Yogyakarta, Indonesia. It works through specific and situated practices that consider soil, as both metaphor and matter.
Seeking and facilitating opportunities to listen to diverse voices and perspectives around notions of caring for land, soil and sovereign territories, the project has been in development since 2018. An international collaboration between three organisations, and several artists, curators, writers and activists, it has manifested in various iterations over several years. The group exhibition ‘Soils’ at the Van Abbemuseum is part of Museum of the Commons. -
–VCRC
Kyiv Biennial 2023
L’Internationale Confederation is a proud partner of this year’s edition of Kyiv Biennial.
-
–MSN Warsaw
Multicultural Youth Center
The Museum of Modern Art in Warsaw, together with the confederation of museums L'Internationale, is establishing a Multicultural Youth Center. This is a unique space for 16-24 year olds to explore and develop their creativity, make new friends and hang out in a friendly and supportive environment.
-
–MACBA
Where are the Oases?
PEI OBERT seminar
with Kader Attia, Elvira Dyangani Ose, Max Jorge Hinderer Cruz, Emily Jacir, Achille Mbembe, Sarah Nuttall and Françoise VergèsAn oasis is the potential for life in an adverse environment.
-
MACBA
Anti-imperialism in the 20th century and anti-imperialism today: similarities and differences
PEI OBERT seminar
Lecture by Ramón GrosfoguelIn 1956, countries that were fighting colonialism by freeing themselves from both capitalism and communism dreamed of a third path, one that did not align with or bend to the politics dictated by Washington or Moscow. They held their first conference in Bandung, Indonesia.
-
–Van Abbemuseum
Maria Lugones Decolonial Summer School
Recalling Earth: Decoloniality and Demodernity
Course Directors: Prof. Walter Mignolo & Dr. Rolando VázquezRecalling Earth and learning worlds and worlds-making will be the topic of chapter 14th of the María Lugones Summer School that will take place at the Van Abbemuseum in Eindhoven.
-
–MSN Warsaw
Archive of the Conceptual Art of Odesa in the 1980s
The research project turns to the beginning of 1980s, when conceptual art circle emerged in Odesa, Ukraine. Artists worked independently and in collaborations creating the first examples of performances, paradoxical objects and drawings.
-
–Moderna galerijaZRC SAZU
Summer School: Our Many Easts
Our Many Easts summer school is organised by Moderna galerija in Ljubljana in partnership with ZRC SAZU (the Research Centre of the Slovenian Academy of Sciences and Arts) as part of the L’Internationale project Museum of the Commons.
-
–Moderna galerijaZRC SAZU
Open Call – Summer School: Our Many Easts
Our Many Easts summer school takes place in Ljubljana 24–30 August and the application deadline is 15 March. Courses will be held in English and cover topics such as the legacy of the Eastern European avant-gardes, archives as tools of emancipation, the new “non-aligned” networks, art in times of conflict and war, ecology and the environment.
-
–MACBA
Song for Many Movements: Scenes of Collective Creation
An ephemeral experiment in which the ground floor of MACBA becomes a stage for encounters, conversations and shared listening.
-
Museo Reina Sofia
Palestine Is Everywhere
‘Palestine Is Everywhere’ is an encounter and screening at Museo Reina Sofía organised together with Cinema as Assembly as part of Museum of the Commons. The conference starts at 18:30 pm (CET) and will also be streamed on the online platform linked below.
-
–
Kyiv Biennial 2025
L’Internationale Confederation is proud to co-organise this years’ edition of the Kyiv Biennial.
-
–MACBA
Project a Black Planet: The Art and Culture of Panafrica
Curated by MACBA director Elvira Dyangani Ose, along with Antawan Byrd, Adom Getachew and Matthew S. Witkovsky, Project a Black Planet: The Art and Culture of Panafrica is the first major international exhibition to examine the cultural manifestations of Pan-Africanism from the 1920s to the present.
-
–M HKA
The Geopolitics of Infrastructure
The exhibition The Geopolitics of Infrastructure presents the work of a generation of artists bringing contemporary perspectives on the particular topicality of infrastructure in a transnational, geopolitical context.
-
–MACBAMuseo Reina Sofia
School of Common Knowledge 2025
The second iteration of the School of Common Knowledge will bring together international participants, faculty from the confederation and situated organizations in Barcelona and Madrid.
-
–
Collective Study in Times of Emergency, Amsterdam
Within the context of ‘Every Act of Struggle’, the research project and exhibition at de appel in Amsterdam, L’Internationale Online has been invited to propose a programme of collective study.
-
Museo Reina Sofia
Poetry readings: Culture for Peace – Art and Poetry in Solidarity with Palestine
Casa de Campo, Madrid
-
–Museo Reina Sofia
Study Group: Aesthetics of Peace and Desertion Tactics
In a present marked by rearmament, war, genocide, and the collapse of the social contract, this study group aims to equip itself with tools to, on one hand, map genealogies and aesthetics of peace – within and beyond the Spanish context – and, on the other, analyze strategies of pacification that have served to neutralize the critical power of peace struggles.
-
–MSN Warsaw
Near East, Far West. Kyiv Biennial 2025
The main exhibition of the 6th Kyiv Biennial 2025, titled Near East, Far West, is organized by a consortium of curators from L’Internationale. It features seven new artists’ commissions, alongside works from the collections of member institutions of L’Internationale and a number of other loans.
-
MACBA
PEI Obert: The Brighter Nations in Solidarity: Even in the Midst of a Genocide, a New World Is Being Born
PEI Obert presents a lecture by Vijay Prashad. The Colonial West is in decay, losing its economic grip on the world and its control over our minds. The birth of a new world is neither clear nor easy. This talk envisions that horizon, forged through the solidarity of past and present anticolonial struggles, and heralds its inevitable arrival.
-
–M HKA
Homelands and Hinterlands. Kyiv Biennial 2025
Following the trans-national format of the 2023 edition, the Kyiv Biennial 2025 will again take place in multiple locations across Europe. Museum of Contemporary Art Antwerp (M HKA) presents a stand-alone exhibition that acts also as an extension of the main biennial exhibition held at the newly-opened Museum of Modern Art in Warsaw (MSN).
In reckoning with the injustices and atrocities committed by the imperialisms of today, Kyiv Biennial 2025 reflects with historical consciousness on failed solidarities and internationalisms. It does this across an axis that the curators describe as Middle-East-Europe, a term encompassing Central Eastern Europe, the former-Soviet East and the Middle East.
-
HDK-Valand
MA Forum in collaboration with LIO: Nour Shantout
In this artist talk, Nour Shantout will present Searching for the New Dress, an ongoing artistic research project that looks at Palestinian embroidery in Shatila, a Palestinian refugee camp in Lebanon. Welcome!
-
MACBA
PEI Obert: Bodies of Evidence. A lecture by Ido Nahari and Adam Broomberg
In the second day of Open PEI, writer and researcher Ido Nahari and artist, activist and educator Adam Broomberg bring us Bodies of Evidence, a lecture that analyses the circulation and functioning of violent images of past and present genocides. The debate revolves around the new fundamentalist grammar created for this documentation.
-
–
Everything for Everybody. Kyiv Biennial 2025
As one of five exhibitions comprising the 6th Kyiv Biennial 2025, ‘Everything for Everybody’ takes place in the Ukraine, at the Dnipro Center for Contemporary Culture.
-
–
In a Grandiose Sundance, in a Cosmic Clatter of Torture. Kyiv Biennial 2025
As one of five exhibitions comprising the 6th Kyiv Biennial 2025, ‘In a Grandiose Sundance, in a Cosmic Clatter of Torture’ takes place at the Dovzhenko Centre in Kyiv.
-
MACBA
School of Common Knowledge: Fred Moten
Fred Moten gives the lecture Some Prœposicions (On, To, For, Against, Towards, Around, Above, Below, Before, Beyond): the Work of Art. As part of the Project a Black Planet exhibition, MACBA presents this lecture on artworks and art institutions in relation to the challenge of blackness in the present day.
-
–MACBA
Visions of Panafrica. Film programme
Visions of Panafrica is a film series that builds on the themes explored in the exhibition Project a Black Planet: The Art and Culture of Panafrica, bringing them to life through the medium of film. A cinema without a geographical centre that reaffirms the cultural and political relevance of Pan-Africanism.
-
MACBA
Farah Saleh. Balfour Reparations (2025–2045)
As part of the Project a Black Planet exhibition, MACBA is co-organising Balfour Reparations (2025–2045), a piece by Palestinian choreographer Farah Saleh included in Hacer Historia(s) VI (Making History(ies) VI), in collaboration with La Poderosa. This performance draws on archives, memories and future imaginaries in order to rethink the British colonial legacy in Palestine, raising questions about reparation, justice and historical responsibility.
-
MACBA
Project a Black Planet: The Art and Culture of Panafrica OPENING EVENT
A conversation between Antawan I. Byrd, Adom Getachew, Matthew S. Witkovsky and Elvira Dyangani Ose. To mark the opening of Project a Black Planet: The Art and Culture of Panafrica, the curatorial team will delve into the exhibition’s main themes with the aim of exploring some of its most relevant aspects and sharing their research processes with the public.
-
MACBA
Palestine Cinema Days 2025: Al-makhdu’un (1972)
Since 2023, MACBA has been part of an international initiative in solidarity with the Palestine Cinema Days film festival, which cannot be held in Ramallah due to the ongoing genocide in Palestinian territory. During the first days of November, organizations from around the world have agreed to coordinate free screenings of a selection of films from the festival. MACBA will be screening the film Al-makhdu’un (The Dupes) from 1972.
-
Museo Reina Sofia
Cinema Commons #1: On the Art of Occupying Spaces and Curating Film Programmes
On the Art of Occupying Spaces and Curating Film Programmes is a Museo Reina Sofía film programme overseen by Miriam Martín and Ana Useros, and the first within the project The Cinema and Sound Commons. The activity includes a lecture and two films screened twice in two different sessions: John Ford’s Fort Apache (1948) and John Gianvito’s The Mad Songs of Fernanda Hussein (2001).
-
–
Vertical Horizon. Kyiv Biennial 2025
As one of five exhibitions comprising the 6th Kyiv Biennial 2025, ‘Vertical Horizon’ takes place at the Lentos Kunstmuseum in Linz, at the initiative of tranzit.at.
Related contributions and publications
-
…and the Earth along. Tales about the making, remaking and unmaking of the world.
Martin PogačarLand RelationsClimatePast in the Present -
The Kitchen, an Introduction to Subversive Film with Nick Aikens, Reem Shilleh and Mohanad Yaqubi
Nick Aikens, Subversive FilmSonic and Cinema CommonslumbungPast in the PresentVan Abbemuseum -
The Repressive Tendency within the European Public Sphere
Ovidiu ŢichindeleanuInternationalismsPast in the Present -
Troubles with the East(s)
Bojana PiškurInternationalismsPast in the Present -
Right now, today, we must say that Palestine is the centre of the world
Françoise VergèsInternationalismsPast in the Present -
Body Counts, Balancing Acts and the Performativity of Statements
Mick WilsonInternationalismsPast in the Present -
Until Liberation I
Learning Palestine GroupInternationalismsPast in the Present -
Until Liberation II
Learning Palestine GroupInternationalismsPast in the Present -
The Veil of Peace
Ovidiu ŢichindeleanuPast in the Presenttranzit.ro -
Blyzkist Dialogues
Maria Beburia, Taras GembikMSN Warsaw -
Editorial: Towards Collective Study in Times of Emergency
L’Internationale Online Editorial BoardEN es sl tr arInternationalismsStatements and editorialsPast in the Present -
Your Maplet: Instructions
MSN Warsaw -
Opening Performance: Song for Many Movements, live on Radio Alhara
Jokkoo with/con Miramizu, Rasheed Jalloul & Sabine SalaméEN esInternationalismsSonic and Cinema CommonsPast in the PresentMACBA -
Siempre hemos estado aquí. Les poetas palestines contestan
Rana IssaEN es tr arInternationalismsPast in the Present -
Indra's Web
Vandana SinghLand RelationsPast in the PresentClimate -
Diary of a Crossing
Baqiya and Yu’adInternationalismsPast in the Present -
The Silence Has Been Unfolding For Too Long
The Free Palestine Initiative CroatiaInternationalismsPast in the PresentSituated OrganizationsInstitute of Radical ImaginationMSU Zagreb -
War, Peace and Image Politics: Part 1, Who Has a Right to These Images?
Jelena VesićInternationalismsPast in the PresentZRC SAZU -
Live set: Una carta de amor a la intifada global
PrecolumbianEN esInternationalismsSonic and Cinema CommonsPast in the PresentMACBA -
Cultivating Abundance
Åsa SonjasdotterLand RelationsClimatePast in the Present -
Reading list - Summer School: Our Many Easts
Summer School - Our Many EastsSchoolsPast in the PresentModerna galerija -
The Genocide War on Gaza: Palestinian Culture and the Existential Struggle
Rana AnaniInternationalismsPast in the Present -
Klei eten is geen eetstoornis
Zayaan KhanEN nl frLand RelationsClimatePast in the Present -
Dispatch: ‘I don't believe in revolution, but sometimes I get in the spirit.’
Megan HoetgerSchoolsPast in the Present -
Dispatch: Notes on (de)growth from the fragments of Yugoslavia's former alliances
Ava ZevopSchoolsPast in the Present -
Glöm ”aldrig mer”, det är alltid redan krig
Martin PogačarEN svLand RelationsPast in the Present -
Beyond Distorted Realities: Palestine, Magical Realism and Climate Fiction
Sanabel Abdel RahmanEN trInternationalismsPast in the PresentClimate -
Collective Study in Times of Emergency. A Roundtable
Nick Aikens, Sara Buraya Boned, Charles Esche, Martin Pogačar, Ovidiu Ţichindeleanu, Ezgi YurteriInternationalismsPast in the PresentSituated Organizations -
Present Present Present. On grounding the Mediateca and Sonotera spaces in Malafo, Guinea-Bissau
Filipa CésarSonic and Cinema CommonsPast in the Present -
Collective Study in Times of Emergency
InternationalismsPast in the Present -
ميلاد الحلم واستمراره
Sanaa SalamehEN hr arInternationalismsPast in the Present -
عن المكتبة والمقتلة: شهادة روائي على تدمير المكتبات في قطاع غزة
Yousri al-GhoulEN arInternationalismsPast in the Present -
Archivos negros: Episodio I. Internacionalismo radical y panafricanismo en el marco de la guerra civil española
Tania Safura AdamEN esInternationalismsPast in the Present -
Re-installing (Academic) Institutions: The Kabakovs’ Indirectness and Adjacency
Christa-Maria Lerm HayesInternationalismsPast in the Present -
Dispatch: A Faceless Future? A brief impression from MSN in its first days
Charles EscheMSN Warsaw -
Palma daktylowa przeciw redeportacji przypowieści, czyli europejski pomnik Palestyny
Robert Yerachmiel SnidermanEN plInternationalismsPast in the PresentMSN Warsaw -
Masovni studentski protesti u Srbiji: Mogućnost drugačijih društvenih odnosa
Marijana Cvetković, Vida KneževićEN rsInternationalismsPast in the Present -
No Doubt It Is a Culture War
Oleksiy Radinsky, Joanna ZielińskaInternationalismsPast in the Present -
Dispatch: As Matter Speaks
Yeongseo JeeInternationalismsPast in the Present -
Reading List: Summer School, Landscape (post) Conflict
Summer School - Landscape (post) ConflictSchoolsLand RelationsPast in the PresentIMMANCAD -
Until Liberation III
Learning Palestine GroupInternationalismsPast in the Present -
Archivos negros: Episodio II. Jazz sin un cuerpo político negro
Tania Safura AdamEN esInternationalismsPast in the Present -
Cultural Workers of L’Internationale mark International Day of Solidarity with the Palestinian People
Cultural Workers of L’InternationaleEN es pl roInternationalismsSituated OrganizationsPast in the PresentStatements and editorials