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Glossary of Common Knowledge

Edited by Zdenka Badovinac, Bojana Piškur, and Jesús Carrillo

Graphic Design: New Collectivism

2018
ISBN 978-961-206-132-6
Keywords

Contents

  1. Referential Fields
  2. Historicisation
  3. Introduction: Interrupted Histories – Ten Years Later
  4. Archive
  5. Constellation
  6. Emancipation
  7. Temporally Embodied Sound
  8. Estrangement
  9. Heterochronia
  10. Humanism
  11. Intuition
  12. Pathological Fracture
  13. Phantom (Pain)
  14. Reconstruction
  15. Self-historicisation
  16. Tendencies in Art
  17. Can the Meta-narrator Speak?
  18. Subjectivisation
  19. Introduction: Time-specific Exhibitions. The Rise of Lecture Performances, Precarious Text, Concert Economy, and Other News from the World of Art
  20. Creleasure
  21. Dancing as Insurrectional Practice
  22. Interest
  23. Kapwa
  24. Over-identification
  25. Radical Imagination
  26. Self-determination
  27. Self-representation
  28. Subject
  29. Travesti
  30. Geopolitics
  31. Introduction: Alignment: An Attempt at Refusal
  32. Agitational Visual Language
  33. Catastrophe
  34. Global Resistance
  35. Institutional Geopolitical Strategies
  36. Migrancy
  37. Non-Aligned Movement
  38. Pandemic
  39. Postsocialism
  40. South
  41. Tudigong, God of the Land
  42. White Space
  43. Constituencies
  44. Introduction: The Rest is Missing
  45. Agency
  46. Autonomy
  47. Bureaucratisation
  48. Collaboration / Co-labour
  49. Construction
  50. Continuity-form and Counter-continuity, The
  51. De-professionalisation
  52. Intervenor
  53. Ñande / Ore
  54. The Eternal Network / La fête permanente
  55. The Rest is Missing
  56. Commons
  57. Introduction: Will You Stay Here? The Common and the Blue Brain
  58. Baffle, To
  59. Basic Income
  60. Brotherhood and Unity Highway, The
  61. Constituent Power of the Common
  62. Corrected Slogans
  63. Data Asymmetry
  64. Friendship
  65. Heterotopian Homonymy
  66. Institution
  67. Noosphere
  68. Palimpsest
  69. Self-management
  70. Solidarity
  71. Other Institutionality
  72. Introduction: Institutionality “After” the Institution
  73. Alternating
  74. Art Hypothesis, The
  75. Conspiratory Institutions?
  76. Deviant
  77. Family
  78. Interdependence
  79. Lobbying
  80. Minor Universalisms
  81. Reflexive / Reflexivity
  82. Residual, A
  83. Stultifera Navis
  84. The Sustainable Museum or Repetition
  85. Translation
  86. On the Method of Making the Glossary
  87. L’Internationale Confederation
  88. Biographies
  89. Index of Terms
  90. Index of Names
  91. List of Figures
  92. Colophon

The Glossary of Common Knowledge (GCK) is a compilation of art terminology that differs substantially from what is found in the existing literature on art, and constitutes a five-year research project conducted by Moderna galerija (MG+MSUM), in the framework of L'Internationale's programme The Uses of Art.

In collaboration with institutions and individuals from Europe and other parts of the world, 66 contributors/narrators proposed terms relating to their own practices and contexts, to historical references, political or social situations, or L'Internationale projects. The terms were discussed and defined in six seminars dealing with six referential fields (historicisation, subjectivisation, geopolitics, constituencies, commons and their institutionality) and the book follows these topics across six chapters. Narrators created a plurality of voices and narratives which examine the proposed terms and add their different viewpoints, bringing with them overlooked, suppressed knowledge and also non-Western categories of thought and memories. This method gave rise to different ways of participating, sharing and using knowledge, as well as working together trans-globally.

The book contains 86 terms proposed by 66 contributors: Nick Aikens, Azra Akšamija, Burak Arıkan, Marwa Arsanios, Zdenka Badovinac, Sezgin Boynik, Boris Buden, Zoe Butt, John Byrne, Jesús Carrillo, Colin Chinnery, Keti Chukhrov, Anyely Marín Cisneros, Rebecca Close, Lia Colombino, Bart De Baere, Carlos Prieto del Campo, Marta Malo de Molina, Ekaterina Degot, Galit Eilat, Róza El-Hassan, Patrick D. Flores, Kate Fowle, Cristina Freire, Anthony Gardner, Chema González, Alenka Gregorič, Dušan Grlja, Khwezi Gule, Aigul Hakimova, Vít Havránek, Beatriz Herráez, Ida Hiršenfelder, Marianna Hovhannisyan, Manray Hsu, Marko Jenko, Anej Korsika, Vasıf Kortun, Anders Kreuger, Lisette Lagnado, Thomas Lange, Miguel A. López, Manos Invisibles, Sohrab Mohebbi, Gabi Ngcobo, Miglena Nikolchina, Ahmet Öğüt, Meriç Öner, November Paynter, Alexei Penzin, Jabulani Chen Pereira, Bojana Piškur, Paul B. Preciado, Tzortzis Rallis, pantxo ramas, Suely Rolnik, Rasha Salti, Raúl Sánchez Cedillo, Aida Sánchez de Serdio Martín, Ania Szremski, Igor Španjol, Mabel Tapia, Francisco Godoy Vega, Jelena Vesić, Stephen Wright, Darij Zadnikar, Adela Železnik.

The Glossary of Common Knowledge was curated by Zdenka Badovinac (Moderna galerija, Ljubljana), Bojana Piškur (Moderna galerija, Ljubljana) and Jesús Carrillo (Museo Reina Sofia, Madrid, 2012–2016), and the book was edited by Ida Hiršenfelder, and published by Moderna galerija.

To purchase the publication, please contact the bookstores in the Museum of Modern Art, Ljubljana, or the Museum of Contemporary Art Metelkova, Ljubljana.