Non-Western Technologies for the Good Life
The experimental course ‘Non-Western Technologies for the Good Life’ (November 2023–May 2024) celebrates as its starting point the anniversary of 50 years since the publication of Tools for Conviviality, considering that Ivan Illich’s call is as relevant as ever.
Modernization is an all-conquering force, yet it is never enough. The climate crisis looms large, while extractivism and the war against life are pressing on. Illich called for a ‘multidimensional balance of human life’, for finding a balanced scale to the growth of anything, and for identifying the convivial tools needed to rethink technology and the relation to the world. Relying on convivial tools would enable communities and societies to exit the trap of the paradigm of infinite accumulation, to develop self-sufficiency outside globalization, and to regain an ethical life outside extractivism, exploitation and impoverishment. The course also responds to the new articulations of hope that have been woven more recently in the Global South, in particular through the surge of indigenous knowledges and of a new generation of congenial practitioners from all over the world.
The freestanding course is hosted by The Experimental Station for Research on Art and Life, in the village of Siliştea Snagovului, Romania, and challenges a growing community of diverse practitioners to observe the forces of modern destitution, to re-orient sensibilities by relating to indigenous philosophies of the good life, to engage in a process of grounding thought in a relational world, and to develop practices of renewal. The participants – artists, students, professionals – are invited to give themselves the time of slow growth and re-orientation of sensibilities which tends to be forbidden by the rhythm of productivity of the school, the university, the gallery, and the modern work. Each session goes through a process of collective reading in voice, and of receiving and offering tasks outside the space of the course, while keeping a diary of the encounters and a vernacular vocabulary of the learnings. Online sessions alternate with in-person encounters, which are events that are gradually gaining in complexity.
Related contributions and publications
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To Build an Ecological Art Institution: The Experimental Station for Research on Art and Life
Ovidiu Ţichindeleanu, Raluca VoineaLand RelationsClimateSituated Organizationstranzit.ro -
Dispatch: The Arrow of Time
Catherine MorlandClimatetranzit.ro -
Dispatch: Practicing Conviviality
Ana BarbuClimateSchoolsLand Relationstranzit.ro -
Dispatch: A Shared Dialogue
Irina Botea Bucan, Jon DeanLand RelationsSchoolsClimatetranzit.ro -
Dispatch: From the Eleventh Session of Non-Western Technologies for the Good Life
Ana KunLand RelationsSchoolstranzit.ro -
Decolonial aesthesis: weaving each other
Charles Esche, Rolando Vázquez, Teresa Cos RebolloLand RelationsClimate -
Climate Forum I – Readings
Nkule MabasoEN esLand RelationsClimateHDK-Valand -
…and the Earth along. Tales about the making, remaking and unmaking of the world.
Martin PogačarLand RelationsClimatePast in the Present -
Art for Radical Ecologies Manifesto
Institute of Radical ImaginationLand RelationsClimateInstitute of Radical Imagination -
Pollution as a Weapon of War
Svitlana MatviyenkoClimate -
Ecologising Museums
Land Relations
Related activities
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HDK-Valand
Climate Forum I
The Climate Forum is a space of dialogue and exchange with respect to the concrete operational practices being implemented within the art field in response to climate change and ecological degradation. This is the first in a series of meetings hosted by HDK-Valand within L'Internationale's Museum of the Commons programme.
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–Van Abbemuseum
The Soils Project
‘The Soils Project’ is part of an eponymous, long-term research initiative involving TarraWarra Museum of Art (Wurundjeri Country, Australia), the Van Abbemuseum (Eindhoven, Netherlands) and Struggles for Sovereignty, a collective based in Yogyakarta, Indonesia. It works through specific and situated practices that consider soil, as both metaphor and matter.
Seeking and facilitating opportunities to listen to diverse voices and perspectives around notions of caring for land, soil and sovereign territories, the project has been in development since 2018. An international collaboration between three organisations, and several artists, curators, writers and activists, it has manifested in various iterations over several years. The group exhibition ‘Soils’ at the Van Abbemuseum is part of Museum of the Commons. -
–MACBA
Where are the Oases?
PEI OBERT seminar
with Kader Attia, Elvira Dyangani Ose, Max Jorge Hinderer Cruz, Emily Jacir, Achille Mbembe, Sarah Nuttall and Françoise VergèsAn oasis is the potential for life in an adverse environment.
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–Museo Reina Sofia
Team of Teams
This project researches citizen participation as a fundamental pillar in the creation of community.
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–Museo Reina Sofia
Sustainable Art Production
The Studies Center of Museo Reina Sofía will publish an open call for four residencies of artistic practice for projects that address the emergencies and challenges derived from the climate crisis such as food sovereignty, architecture and sustainability, communal practices, diasporas and exiles or ecological and political sustainability, among others.
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–tranzit.ro
Non-Western Technologies for the Good Life
The experimental course ‘Non-Western Technologies for the Good Life’ (November 2023–May 2024) celebrates as its starting point the anniversary of 50 years since the publication of Tools for Conviviality, considering that Ivan Illich’s call is as relevant as ever.