Glossary of Common Knowledge

Edited by Zdenka Badovinac, Bojana Piškur, and Jesús Carrillo

Graphic Design: New Collectivism

2018
ISBN 978-961-206-132-6

Contents

    1.
    2.
    Referential Fields
    3.
    Historicisation
    4.
    Introduction: Interrupted Histories – Ten Years Later
    5.
    Archive
    6.
    Constellation
    8.
    Emancipation
    9.
    Temporally Embodied Sound
    10.
    Estrangement
    11.
    Heterochronia
    12.
    Humanism
    13.
    Intuition
    14.
    Pathological Fracture
    15.
    Phantom (Pain)
    16.
    Reconstruction
    17.
    Self-historicisation
    19.
    Tendencies in Art
    20.
    Can the Meta-narrator Speak?
    21.
    Subjectivisation
    22.
    Introduction: Time-specific Exhibitions. The Rise of Lecture Performances, Precarious Text, Concert Economy, and Other News from the World of Art
    23.
    Creleasure
    24.
    Dancing as Insurrectional Practice
    26.
    28.
    Interest
    29.
    Kapwa
    30.
    31.
    Over-identification
    32.
    Radical Imagination
    33.
    Self-determination
    34.
    Self-representation
    35.
    Subject
    36.
    Travesti
    37.
    38.
    Geopolitics
    39.
    Introduction: Alignment: An Attempt at Refusal
    40.
    Agitational Visual Language
    41.
    Catastrophe
    44.
    Global Resistance
    45.
    Institutional Geopolitical Strategies
    46.
    Migrancy
    47.
    Non-Aligned Movement
    48.
    Pandemic
    49.
    Postsocialism
    50.
    South
    51.
    Tudigong, God of the Land
    52.
    White Space
    53.
    Constituencies
    54.
    Introduction: The Rest is Missing
    55.
    Agency
    56.
    Autonomy
    58.
    Bureaucratisation
    59.
    Collaboration / Co-labour
    60.
    Construction
    61.
    Continuity-form and Counter-continuity, The
    62.
    De-professionalisation
    63.
    Intervenor
    65.
    Ñande / Ore
    66.
    The Eternal Network / La fête permanente
    67.
    The Rest is Missing
    68.
    Commons
    69.
    Introduction: Will You Stay Here? The Common and the Blue Brain
    70.
    Baffle, To
    71.
    Basic Income
    72.
    Brotherhood and Unity Highway, The
    73.
    Constituent Power of the Common
    74.
    Corrected Slogans
    75.
    Data Asymmetry
    76.
    Friendship
    77.
    Heterotopian Homonymy
    78.
    Institution
    79.
    Noosphere
    80.
    Palimpsest
    81.
    82.
    Self-management
    83.
    Solidarity
    84.
    85.
    Other Institutionality
    86.
    Introduction: Institutionality “After” the Institution
    87.
    Alternating
    88.
    Art Hypothesis, The
    89.
    Conspiratory Institutions?
    90.
    91.
    Deviant
    92.
    Family
    93.
    Interdependence
    94.
    Lobbying
    95.
    Minor Universalisms
    96.
    Reflexive / Reflexivity
    97.
    Residual, A
    98.
    Stultifera Navis
    99.
    The Sustainable Museum or Repetition
    100.
    Translation
    101.
    On the Method of Making the Glossary
    102.
    L’Internationale Confederation
    103.
    Biographies
    104.
    Index of Terms
    105.
    Index of Names
    106.
    List of Figures
    107.
    Colophon

The Glossary of Common Knowledge (GCK) is a compilation of art terminology that differs substantially from what is found in the existing literature on art, and constitutes a five-year research project conducted by Moderna galerija (MG+MSUM), in the framework of L'Internationale's programme The Uses of Art.

In collaboration with institutions and individuals from Europe and other parts of the world, 66 contributors/narrators proposed terms relating to their own practices and contexts, to historical references, political or social situations, or L'Internationale projects. The terms were discussed and defined in six seminars dealing with six referential fields (historicisation, subjectivisation, geopolitics, constituencies, commons and their institutionality) and the book follows these topics across six chapters. Narrators created a plurality of voices and narratives which examine the proposed terms and add their different viewpoints, bringing with them overlooked, suppressed knowledge and also non-Western categories of thought and memories. This method gave rise to different ways of participating, sharing and using knowledge, as well as working together trans-globally.

The book contains 86 terms proposed by 66 contributors: Nick Aikens, Azra Akšamija, Burak Arıkan, Marwa Arsanios, Zdenka Badovinac, Sezgin Boynik, Boris Buden, Zoe Butt, John Byrne, Jesús Carrillo, Colin Chinnery, Keti Chukhrov, Anyely Marín Cisneros, Rebecca Close, Lia Colombino, Bart De Baere, Carlos Prieto del Campo, Marta Malo de Molina, Ekaterina Degot, Galit Eilat, Róza El-Hassan, Patrick D. Flores, Kate Fowle, Cristina Freire, Anthony Gardner, Chema González, Alenka Gregorič, Dušan Grlja, Khwezi Gule, Aigul Hakimova, Vít Havránek, Beatriz Herráez, Ida Hiršenfelder, Marianna Hovhannisyan, Manray Hsu, Marko Jenko, Anej Korsika, Vasıf Kortun, Anders Kreuger, Lisette Lagnado, Thomas Lange, Miguel A. López, Manos Invisibles, Sohrab Mohebbi, Gabi Ngcobo, Miglena Nikolchina, Ahmet Öğüt, Meriç Öner, November Paynter, Alexei Penzin, Jabulani Chen Pereira, Bojana Piškur, Paul B. Preciado, Tzortzis Rallis, pantxo ramas, Suely Rolnik, Rasha Salti, Raúl Sánchez Cedillo, Aida Sánchez de Serdio Martín, Ania Szremski, Igor Španjol, Mabel Tapia, Francisco Godoy Vega, Jelena Vesić, Stephen Wright, Darij Zadnikar, Adela Železnik.

The Glossary of Common Knowledge was curated by Zdenka Badovinac (Moderna galerija, Ljubljana), Bojana Piškur (Moderna galerija, Ljubljana) and Jesús Carrillo (Museo Reina Sofia, Madrid, 2012–2016), and the book was edited by Ida Hiršenfelder, and published by Moderna galerija.

To purchase the publication, please contact the bookstores in the Museum of Modern Art, Ljubljana, or the Museum of Contemporary Art Metelkova, Ljubljana.