Canción para muchos movimientos. Escenarios de creación colectiva
Un experimento efímero en que la planta baja del museo se convierte en escenario de encuentros, conversaciones y escuchas compartidas.
Canción para muchos movimientos es una invitación a concebir el espacio expositivo como un espacio por habitar. Es un despliegue de experiencias situadas, archivos encarnados y cuerpos de investigación que emergen del trabajo transversal del museo y su más allá. Más que una exposición es un ensayo en distintos modos de exponerse y sostenerse mutuamente. Los materiales reunidos remiten a procesos de creación colectiva del presente, a la vez que invocan las historias que constituyen la memoria viva de lo que vendrá. El proyecto se articula a partir de un programa público intensivo —charlas, conversaciones, poesía, artes en vivo y radio en directo— que aspira a convertir el espacio expositivo del museo en un ágora pública a lo largo de seis semanas.
En diálogo con este programa de encuentros, Canción para muchos movimientos despliega un complejo dispositivo documental que incluye obras audiovisuales, publicaciones, obra gráfica y materiales de archivo pertenecientes a más de cincuenta artistas y colectivos. Estos materiales forman constelaciones en torno a casos de estudio específicos de cine militante, video comunitario o imprentas cooperativas a la vez que se exploran alianzas y redes de solidaridad a través del tiempo y en distintas geografías: desde el Festival Panafricano de Argel de 1969, la Exposición Internacional Palestina celebrada en Beirut en 1978, pasando por el Museo Internacional de la Resistencia (1973–1989), hasta la emergencia de nuevas formas de activismo y agitación cultural en torno a la crisis del VIH/sida que pone en evidencia que toda enfermedad es política.
Comisariada por María Berríos y Sabel Gavaldon.
Participantes: ACT UP, Radio Alhara, Anarchivo Sida (Equipo re), Xoán Anleo, María José Arjona, Miquel Arnal, Marwa Arsanios, Samira Badran, Belleza y Felicidad Fiorito, Erick Beltrán, Mohamad Bitari, Benzo Canela, Denis Chapón, Chimurenga, Collectif Mohamed, [contra]panorama, Julio Cortázar, La Cuina del MACBA, Gustavo Duch (Soberanía Alimentaria), Equipo Jeleton, Falasteen Comunitat Palestina, FESTAC ’77, Festival Panafricain d’Alger, Ángela Furquet, Antonio Gagliano y Verónica Lahitte, Jesús Garay, Maite Garbayo Maeztu, Nancy Garín, Daniel Gasol, Mauricio Gatti, Gran Fury, Grupo Cine Liberación, Grupo Experimental de Cine de la Cineteca del Tercer Mundo, Grupo de Jóvenes del MACBA (con Anna Irina Russell), Grup de Treball, Nadia Jabr, Emily Jacir, Rasheed Jalloul, Salah Jamal, Kuwa Jasiri, Jokkoo Collective, Yazan Khalili (The Question of Funding), William Klein, Las Cosas, Learning Palestine Group (con Maya Watanabe), Lesley Lokko, Leve Productora, lumbung press, Kati Macskássy, Hache Mau, Lina Meruane, Dana Michel, Marina Monsonís, Metzineres, Miramizu, Museo de la Solidaridad Salvador Allende, Nazario Luque, Les niñes del barrio (con Marc Larré), Ocaña, El Palomar, Participantes del PEI (Programa Estudios Independientes), Pasado inquieto (International Art Exhibition for Palestine, 1978) de Kristine Khouri y Rasha Salti, Vijay Prashad (Instituto Tricontinental de Investigación Social), Precolumbian, Joan Rabascall, Hunter Reynolds, La Rara Troupe, Marlon T. Riggs, Mayra A. Rodríguez Castro, Ebla Sadek, Tania Safura Adam, Sabine Salamé, Sindicato de Estibadores Portuarios de Barcelona, Teresa Stout (aka softchaos), Top Manta, Tucumán Arde, Josune Urrutia, Cecilia Vicuña, Video-Nou/Servei de Vídeo Comunitari, entre otres.
Vistas de la exposición Canción para muchos movimientos. Escenarios de creación colectiva, 2024. Foto: Miquel Coll.
Related activities
The Soils Project
The Soils Project, is part of the eponymous, long term research initiative involving Tarrawara Museum of Art, Wurundjeri Country, Australia, the Van Abbemuseum in Eindhoven, Netherlands and Struggles for Sovereignty, a collective based in Yogyakarta, Indonesia. It works through specific and situated practices that consider soil, as both metaphor and matter. A further iteration of the project will open at the Van Abbemuseum in May - September 2024 as part of Museum of the Commons.
The Soils Project has been in development since 2018. An international collaboration between three organisations, and several artists, curators, writers and activists, the project has manifested in various iterations over several years including a three-part public webinar series titled The Soils Project: groundwork, and a two-week workshop, titled The Soils Project: On Country, for participating curators and artists. With a curatorium comprising arts workers from TarraWarra Museum of Art, the Van Abbemuseum, and Struggles for Sovereignty, the project’s approach seeks and facilitates opportunities to listen to diverse voices and perspectives around notions of caring for land, soil and sovereign territories.
Developed from this journey, The Soils Project’s forthcoming exhibition will embrace the deep histories of each participant’s location, examining the multiplicity of landscapes and environments, and the impact of colonisations and global industries on cultural heritage, land management and traditional knowledges.
Kyiv Biennial 2023
L’Internationale Confederation is a proud partner of this year’s edition of Kyiv Biennial.
The Open Kitchen. The fermented seed, colonialism and extractivism
The MACBA Kitchen is a working group situated against the backdrop of ecosocial crisis. Participants in the group aim to highlight the importance of intuitively imagining an ecofeminist kitchen, and take a particular interest in the wisdom of individuals, projects and experiences that work with dislocated knowledge in relation to food sovereignty.
The Kitchen: Workshop by Marina Monsonís
The Kitchen is a meeting place open to the participation of all, especially people and organizations that want to share their knowledge and experiences around the kitchen.
Where are the Oases?
PEI OBERT seminar
with Kader Attia, Elvira Dyangani Ose, Max Jorge Hinderer Cruz, Emily Jacir, Achille Mbembe, Sarah Nuttall and Françoise Vergès
An oasis is the potential for life in an adverse environment.
Mobile Garden. A Place to Meet
An open space, a social space. How could the Museum be more open to the needs of the neighbourhood?
Anti-imperialism in the 20th century and anti-imperialism today: similarities and differences
PEI OBERT seminar
Lecture by Ramón Grosfoguel
In 1956, countries that were fighting colonialism by freeing themselves from both capitalism and communism dreamed of a third path, one that did not align with or bend to the politics dictated by Washington or Moscow. They held their first conference in Bandung, Indonesia.
Cinema as Assembly
Cinema as Assembly investigates cinema as a space of social gathering and political engagement that prefigures and enacts forms of living beyond colonial capitalism.
Maria Lugones Decolonial Summer School
Recalling Earth: Decoloniality and Demodernity
Course Directors: Prof. Walter Mignolo & Dr. Rolando Vázquez
Recalling Earth and learning worlds and worlds-making will be the topic of chapter 14th of the María Lugones Summer School that will take place at the Van Abbemuseum in Eindhoven.
Archive of the Conceptual Art of Odesa in the 1980s
The research project turns to the beginning of 1980s, when conceptual art circle emerged in Odesa, Ukraine. Artists worked independently and in collaborations creating the first examples of performances, paradoxical objects and drawings.
Summer School: Our Many Easts
Our Many Easts summer school is organised by Moderna galerija in Ljubljana in partnership with ZRC SAZU (the Research Centre of the Slovenian Academy of Sciences and Arts) as part of the L’Internationale project Museum of the Commons.
Open Call – Summer School: Our Many Easts
Our Many Easts summer school takes place in Ljubljana 24–30 August and the application deadline is 15 March. Courses will be held in English and cover topics such as the legacy of the Eastern European avant-gardes, archives as tools of emancipation, the new “non-aligned” networks, art in times of conflict and war, ecology and the environment.
Canción para muchos movimientos. Escenarios de creación colectiva
Un experimento efímero en que la planta baja del museo se convierte en escenario de encuentros, conversaciones y escuchas compartidas.
Related contributions
…and the Earth along. Tales about the making, remaking and unmaking of the world.
The Kitchen, an Introduction to Subversive Film with Nick Aikens, Reem Shilleh and Mohanad Yaqubi
The Repressive Tendency within the European Public Sphere
Troubles with the East(s)
Right now, today, we must say that Palestine is the centre of the world
Body Counts, Balancing Acts and the Performativity of Statements
Until Liberation I: Learning Palestine
Until Liberation II: Learning Palestine
Algunos términos que guían a lumbung press: Definiendo “edición”
In the Battles of Language / En las batallas del lenguaje
Evidence, Activism And The Law in the Age of Post-Truth
THE MUSEUM YET TO COME. Exercises of institutional imagination
L’Internationale Public Statement on the recent events at MACBA
L'Internationale statement in support of the decision to open "La Bestia y el soberano" (The Beast and the Sovereign)
The Veil of Peace
On Riots, Grief and Parties
Diaspora. Art Stories from Barcelona
Editorial. Hacia un estudio colectivo en tiempos de emergencia
Canción para muchos movimientos. Performance inaugural en directo en Radio Alhara
We Have Been Here Forever. Palestinian Poets Write Back
Indra's Web
Diary of a Crossing
The Silence Has Been Unfolding For Too Long
